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51
The film is silent (almost no words) except for music so that it can be used for hypnotic visualization,
so that the Mother of Darkness & the programmer can fill in the programming
script with the child
victim as they watch the movie. As it turned out, their plans were successful. The New Age author
David Tame states in his book
The Secret Power of Music (Rochester, VT: Destiny Books, 1984, p.
292), that Fantasia is. . . "A superb marriage between the visual and musical arts. Most of the
sequences.. .are what New Age cinema was intended to be!" The power of the movie to influence the
mind stands out. In order to make the film, Disney used some strong arm tactics on a few people. The
movie was a box office flop when first released in the 1940’s, but then it was made for the occult
world anyway. By the 1960’s, the Illuminati had create a drug culture and had lots of undetectable
mind-controlled
slaves running around that had been programmed with Fantasia. In the 1960’s,
Fantasia became a hit with the drug culture which had its share of Illuminati slaves deeply involved in
it. One more reminder, the sentences that are "ALL CAPS" in the script are things that the
programmers are saying to the child victim as the child watches the film. (Bear in mind, that the child
watches the film over & over, so not everything
indicated in this script by caps that the programmer
says will necessarily be said in one showing.)
00 minutes. Curtains open. Action begins with an orchestra. The Conductor upon a step pyramid is the
center of the scene, and is shown to be the center of authority. Master Programmer Dr. Joseph
Mengele liked Fantasia because he was a musician and a violinist. Mengele (Dr. Green) liked Bach,
Beethoven, and Schubert and orchestra music. He enjoyed taking what he liked & using this music to
make slaves. He would portray himself during programming
as being the conductor, & all the
orchestra were his children. The film will allow for a repetition
of this theme.
00.5 minutes.
The instruments
begin playing. The musicians are silhouettes which cast shadows upon
the wall. Alters will often see themselves in this fashion too, as merely a shadow or merely a
silhouette.
01.5 minutes.
The MC (named Taylor) begins talking. He begins grooming the viewer. He says that
the film may suggest to your imagination
"geometric
figures floating in space."
02. minutes. The M.C. says there are 3 kinds of music. He says some music is to create definite
stories, some to create definite pictures, and some music exists for its own sake.
02.5 minutes.
The M.C. introduces us to the "Absolute music."
03. minutes. He states that ,,Abstract images that might pass through your mind...music will suggest
other things to your imagination..."
The Philadelphia
Orchestra begins playing "Toccata and Fuge" by
Bach in the background. As a cartoon for children (or adults) the film has already lost the normal
audience at this point. (There is no way that Disney could have escaped realizing that the film starts
out losing the normal audience.)
03.5 minutes.
The conductor is standing out and everyone else is a silhouette with shadow mirror
images (like so many of the alters become). Leopald Stokowski
is now standing as the rising sun
rises. This is an allusion to sun worship and the sun rising in the east. The music is going up and
down, and this music at this point is used to train the child to go up and down the trance ladder (that
is to go deeper or lighter in trance).
04. minutes. The conductor opens his hands and waves them in an Illuminati hand signal. The music
begins.
06 minutes. A row of violinists play, they are merely silhouettes with shadows.
06.5 minutes. A harp scale is played in the background that is used in the programming.
Triggers are
attached to this harp scale, or the harp scale is used as a foundation
identifier for a piano scale. More
children can be taught the piano than the harp, so this scale is usually transferred to a piano scale.
