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49
is a cartoon where Dr. Frankenollie
transplants Mickey’s brain into a monster’s body & vice-versa. A
1994 film, Puppet Masters shows the govt.’s secret Office of Scientific Intelligence
trying to save the
U.S. from aliens who live in human bodies. In recent years, Bette Midler has been Disney’s main
actress. In the Vol. 2, it was exposed that she is possibly a Monarch Mind-controlled
slave. She is
famous for her "mood swings" (switches in personality),
and she had a "mental breakdown" in 1985.
Her eyes and body gestures are those of a programmed
multiple. She has gone out on tour for Disney
without making -money, and she is best of friends with Jeffrey Katzenberg (second in command at
Disney). Jeffrey Katzenberg by the way is extremely disliked by his counterpart Sid Sheinberg. Bette
Midler plays Stella in the movie Stella. Stella is an occult name. In the movie, the script seems
tailored for Bette Midler and for someone who is a programmed
slave, rather than the actress fitting
the role. At the movie’s end, Stella (Bette Midler) attends her own daughter’s marriage by peeking in a
window and watching from the outside. This is the script they give so many of the parts of a slave, so
that they feel unworthy and feel like they are always on the outside looking
in at life. Many parts
(personalities)
of slaves find it hard to connect with real life, because they feel they are on the outside
looking in. And then in true Disney fashion, Disney had Bette Midler play the role of the lead witch
in Hocus Pocus. The movie Hocus Pocus does some hocus pocus of its own. While pretending to
make fun of witchcraft, they actually teach witchcraft. They do make the 3 witches look comical. By
the way, the 3 witches stand for the maiden, mother, crone combo that the Illuminati reverence.
Disney subtly works in deep occult things, such as the all-seeing eye on the cover of the book, the
little girl promising the cat (who is a familiar spirit) that her descendants would always care for it
(true, because the cat was a generational
spirit). The cat is killed in the movie but can’t die. And Bette
Midler as lead witch in her costume, which has some Mother-of-Darkness
symbology
on it, states as
she gets ready to take the life force from an innocent girl, "We want to live forever, so we take
children’s lives." This is wholesome entertainment
for children? The Disney capacity for deception
extends to its own workers. PR men recruit young people for its Disney College program. They tell
the young people what a great stepping stone it will be for their careers. They have been known to
make it sound like the greatest thing in your life. Kids come from all over the country due to the slick
recruiting tactics to work for Disney. They are then housed in Disney housing, given menial jobs, and
paid low wages. Most people in the College Program leave disillusioned.
If the worker happens to
think of a great idea, Disney officials have been known to steal the idea, and because the worker was
working for Disney the worker will find that they are unable to get any credit or money for the idea
that Disney steals and makes millions off of. One uncredited creator of a Disney sale item said,
,,iterally, they’re using everybody for everything."
(Inside the Mouse, p. 239.)
>>> Next, will be the script for how the Disney film Fantasia has been used as a standard
programming
tool since the 1940’s by the Illuminati.
DETAILED SCRIPT ON HOW THE DISNEY FILM FANTASIA IS USED FOR
PROGRAMMING
TRAUMA-BASED MIND-CONTROLLED
SLAVES.
During the 1950’s, ‘60’s, and ‘70’s at least 90% of the Illuminati’s trauma-based
mind-controlled
slaves were subjected to watching Disney’s Fantasia film in order for them to build the foundational
imagery of the mind-control.
Child mind-control
victims had their eyes taped open, and then sat one-
on-one with their primary programmers
so that the programmers could give the scripts as the child
watched Disney’s Fantasia over and over. What made Fantasia unique as a programming
tool is that it
had almost everything the programmers
needed to create the foundational
imagery for their trauma-
based mind-control.
To build a dependable alter system means that the worlds need a solid
foundation. Fantasia has provided the means to get a solid foundation for the internal worlds that the
Illuminati slaves build in their mind. It is also a masterpiece
in coordinating
color and music.
The Disney film Fantasia which premiered on Nov. 13, 1940 (at Broadway Theater in NYC) was a
financial disaster as a movie, but was an Illuminati programming
masterpiece.
The film was released
to theaters in ‘40, ‘46, ‘56, ‘63, ‘69, ‘77, ‘82, ‘85, ‘90 in order to catch every generation of children.
The video was released in 1991. During programming
much of the child slave’s mind will watch the
