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84.5 min. The fantasy world is coming alive. It is a happy fantasy world. A goddess in the sky makes
a
rainbow emerge. This is the rainbow goddess of the programming.
85 min. All the happy unicorns and cherubs fly "over the rainbow." (Refer back to the Vol. 2 book
p.94 to understand the significance
of going over the rainbow.) The unicorn is derived from old
British paganism where the lion represented sun worship, and the unicorn represented moon worship.
This is why the Royal Arms of the British Royal Family have a unicorn on one side, & a lion on the
other. Sexually the unicorn represents androgeny. During programming,
the horses, pegasi, unicorns
and centaurs shown in the Fantasia movie become the foundation upon which the Illuminati
programmers
build the Night Mare alters who are beasts of burden who carry an alter systems
memories. These are logical no-emotion alters who are early splits & who are programmed after the
child is verbal. See Ciscos article on Dream Work for more understanding
about the horse alters, as
well as chapter 7 on Structuring.
86 minutes.
More rainbows and lots of bubbles come into view. The film has done an excellent lob of
showing how the Furfur God of thunder protects the Rainbow. Once an alter has gone over the
rainbow, they can not come back because a demon protects the Rainbow. The rainbow is also
protected by alters who fear the gods. After seeing Fantasia, the therapist can understand why the
little child protector alters have fear about these gods. The master (who represents Furfur) in the
movie swallows the rainbow. If an alter looks internally for the rainbow, he or she will only find stars,
because the protector will come up and say, "I swallowed the rainbow." The rainbow is kept well
hidden internally. This scene is used to teach alters how to go over the rainbow. ""BEFORE YOU GO
OVER THE RAINBOW, YOU HAVE TO PUT ALL YOUR MEMORIES IN THE BUBBLE. YOU
CANT TAKE ANYTHING OVER THE RAINBOW INTO FANTASY LAND."
86.5 minutes. Apollo, the sun god comes out.
87 min. A big mother spirit who fills the whole sky is now shown by Disney. She hangs over the
rainbow. When a system is built this is indeed what they put in. All go to sleep in the film.
87.5 minutes. Arrows shoot the stars into the heavens. This is more programming
imagery. When you
look for the rainbow, you see stars.
88 min. The conductor finishes again.
88.5 min. The next setting is a Venetian noblemans (a dukes) palace. Curtains open. The use of
curtains is spoken about in our previous books.
89 min. Curtains open. An Ostrich begins dancing, and gets others to ballet dance.
90 min. The Ostriches begin dancing in a circle, this is laying the groundwork for what the cult family
does. The Assistant programmer may tell the child, "SEE ITS O.K. TO DANCE TOGETHER.
DANCING IS ACCEPTABLE."
The programmers will not directly tell the child that this represents
the cult family.
Fantasia portrays Satan as a terrible powerful being.
91.5 min. The Ostriches are eating grapes. They are playing,
looking in the pool & they are seeing
bubbles.
92 min. Hippos emerge out of the pool. "ITS O.K. TO BE DIFFERENT.
ITS O.K. TO BE
STRANGE. USE YOUR CREATIVITY."
The hippos begin to dance and dance.
94 min. Elephants appear and are having fun and blowing bubbles out of their trunks. The
programmers
may be having fun blowing bubbles with the child. The programmers
like to mix love
and hate, kindness and sadistic behavior. That way the victim has a hard time separating love from
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