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28
of each year. The Illuminati have rituals around Persephone. On Dec. 21, 1937, Disney premiered the
first full-length color cartoon movie "Snow White and the Seven Dwarfs." This cartoon had taken
$1.4 in depression-time
money and three years to make. Over 750 artists worked on the film. Walt
Disney had gotten the idea from a silent movie of Snow White which he saw as a boy in 1917. The
movie has an important occult theme to it, and has been used for occult mind-control
programming.
When the 1940’s got started, Disney was in financial difficulties. At this point, Nelson Rockefeller
hired his cartoon capabilities
to make cartoons for South America, with the idea that South Americans
would remain loyal to the American capitalist hegemony,
rather than shift to rising ideologies of
fascism/nazism,
if they saw Walt Disney cartoons. In Rio de Janeiro, Brazil on 8/24/42, Disney did its
world premiere of Saludo Amigos, a 42 minute feature about Latin America. Goofy becomes a
gaucho, a parrot teaches Donald Duck to dance the samba, as well as Disney art showing various
landscapes of Brazil in the film. However, the film The Three Caballeros,
if it was meant to
encourage South American loyalty to American capitalism, completely failed. The Three Caballeros
showed a sexually
lecherous Donald Duck who in bad taste tries to make it with latin women. The
mysticism was also seen as bogus. Although the latin Americans hated the film, the establishment
media’s Look magazine praised it. Another reason that Rockefeller sent Walt to South America was
to get him out of the way so that the government could settle the strike by Disney workers. Nelson
Rockefeller was the government’s Coordinator
of Inter-American
Affairs, a good position
considering how much of South America the Rockefeller’s controlled. Rockefeller told Disney that
Disney couldn’t beat the strikers, but that while Walt was in South America, FDR would see to it that
the strike got settled. When Disney returned he submitted to the powers that were, and accepted the
unions and the mafia’s control. Another change for Walt Disney was that in 1940, he and Roy turned
Disney into a "public corporation" and initially sold 755,000 shares of common stock. The Illuminati
Boston firm of Kidder, Peabody & Co. were the underwriters
of the studio’s public stock-offerings.
By 1940, the Disney Studio at Burbank had become a miniature city with 1,000 men & women
employees and 20 buildings on a 51
acre tract of land. After the U.S. joined W.W. II, Disney Productions were made a part of the
American military establishment.
The very next day after Pearl Harbor, the military moved onto the
Disney Studio, which leads this author to suspect that Disney was already part of the power
establishment
prior to the war breaking out. Disney made military movies/cartoons
that taught the
different branches of the military many things. They made propaganda movies for the allies. One
series of films was "Why we fight." Disney made movies for the IRS to get people to pay their taxes.
Some of the Disney films were top, secret, and concerned secret military weapons or secret
psychological
tactics of the Americans. For instance, one military film was "Army Psycho Therapy"
which taught army men how to instill fear, and about the basics of fear. Another army film was
"Prostitution & the War". Another showed a carrier pigeon evading the Germans.
In 1940, Disney came out with 2 full length animated cartoons,
Pinocchio and Fantasia, both of which
were soon used for Illuminati
mind-control
programming.
Fantasia contains Schubert’s sacred
Catholic music Ave Maria, which was used in a concluding segment side to side with the profane
Night on Bald Mountain song, as well as six other classical pieces of orchestra music. As a feature
cartoon it was a flop, but as a programming
tool it was fantastic. Fantasia receives a comprehensive
explanation of how it is used for mind-control
programming
at the end of this chapter. Because an
explanation
of the use of a Disney film for mind-control
is complex, this explanation
is placed at the
end of the chapter so that it won’t interrupt the flow of this chapter’s information.
The Pinocchio film
has been redone and released 9 times over the years. Some of the next full length animated films to
come out were: The Three Caballeros (1945) The Adventures of Ichabod & Mr. Toad (‘49)
Cinderella (1950) Treasure Island (1950) Alice In Wonderland
(1951) The Story of Robin Hood &
His Merrie Men (1952) Peter Pan (1953)
20,000 Leagues Under the Sea (1954) Sleeping Beauty (1959) Very soon after the production of all of
these movies, the Illuminati and their intelligence agencies used them for Illuminati total mind-
control programming.
To see their misuse as programming
scripts one has to understand how the
fantasy worlds of a programmed multiple are created and how the movie scripts are adapted to be
