 |
 |
 |
 |
|
 |
 |
25
the child grows up... .Then the parents, through neglect or conscious decision, begin to permit the
child to watch movies rated R due to vivid depictions of knives penetrating and protruding from
bodies, long shots of blood spurting from severed limbs, and bullets ripping into bodies and
exploding out the back in showers of blood and brains." While children see horrible deaths on T.V.,
they learn to associate this suffering with entertainment,
pleasure and their favorite soft drink, their
favorite candybar, and close intimate contact with their date. (See On Killing,
p. 302) Disney has the
appearance of Wholesomeness;
this appearance is quite deceptive. A close study of Disney cartoons
will reveal lots of violence that could not be depicted if the violence was actually real life & not
animation. It’s the wholesome front which is one of the deceptions that makes Disney cartoons &
films so dangerous. Yes, the image of Disney has been that its cartoons are wholesome.
No wonder
Illuminati mind-control
programmers
have laughed at how naive the American public is toward
Disney. The Disney Gargoyles cartoons are a television series that is pure demonology.
The story line
is that a race of demons protects New York City. One of the Gargoyles is even named Demona. The
Illuminati programmers
are amazed at how stupid the masses of people are, and how easily deceived.
How the Disney movies are used as programming
scripts is very involved so only one detailed
example is given at the end of this chapter. The Illuminati and Mafia knew that Walt had the ability to
get the job done that the Great Plans called for. (Source: confidential
interview.) They knew they had
the "carrots and the sticks" to get him to cooperate. There is no doubt that Walt was a hard worker
who in turn expected high standards from his employees.
One co-worker of Walt wrote, "Walt made a
simple statement, that you can lick them with ‘product’ if you make your product good enough, they
cannot deny it.. . .In Walt’s estimation, everything that was done had to be executed with a great deal
of thought and finesse." Neelands, Barbara, compiler. About Ben Sharpsteen, article by David R.
Smith (2nd Impress.) Calistoga, CA: A Sharpsteen Museum Reprint, pg. 2-3. One big turn in Walt’s
outlook toward quality came in April, 1927 when the head of Universal Studios wrote a scathing
report on the quality of Disney studio work. It forced Walt to realize that up to then he had been
slipshod and sloppy. He resolved to never take the easy way, but to work with dedication toward
making his drawings come to life with character and interesting situations. In 1922, Walt made a film
Cinderella. This is not to be confused with the later animated film also of the same title released in
1950. The 1950 feature was re-released numerous times. The Alice cartoons were made with a 6-
year-old girl playing Alice. The first six Alice comedies had extensive live-action beginnings, and
then went into cartoon. A few of the 1920’s Alice silent cartoon titles include:
Alice’s Wonderland (1923) Alice
Hunting in Africa (1924) Alice’s
Spooky Adventure (1924) Alice
Plays Cupid (1925)
Alice Cans the Cannibals (1925)
Alice Rattled by Rats (1925)
Alice Chops the Suey (1925)
Alice Charms the Fish (1926)
Alice the Whaler (1927)
Alice the Beach Nut (1927)
After the Alice Series, Disney began a fully animated series called Oswald the Lucky Rabbit. Here
we see the occult concept of luck (who hasn’t heard of a lucky Rabbit’s foot?) being subtly promoted.
Disney cartoon may entertain, but they also indoctrinate
while they entertain. In 1926, Walt Disney
signed an agreement with Mintz and Film Booking Offices (EBO). Film Booking Offices were
Illuminati kingpin/mob
boss Joseph Kennedy’s company. For at least the next years, Disney worked
