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20
royalty, pageantry and a strict social hierarchy such as Freemasonry
provides. He often wove a
combination
of the barnyard in with royal parades and other trappings of royalty. For instance, in
Alice the Piper, the King Hamlin is a farmer who sleeps in a farmhouse. In Puss in Boots the local
king
lives in an authentic palace incongruously
placed in a village. His early film Alice’s Day at Sea
includes both the features of a royal court and an American circus. In typical Disney disdain for
authority, he pokes fun at criminal fraternal groups with their rituals and passwords in Alice & the
Dog Catcher, Alice Foils the Pirates, and Alice’s Mysterious Mystery. And while he was a secret FBI
agent, he went against Hoover’s wishes and poked fun at the FBI’s authority. Walt was loyal to what
he believed and could be loyal to those individuals who he deemed worthy of his loyalty, but he
didn’t want anyone to have authority over him. (Walt was a 320 Freemason & an occultist, he was
loyal to that philosophy
and loyal
in his early years to his older brother Roy O. Disney, who was a
father figure to him.) If anyone at the studios agreed with him when he was angry at his brother Roy,
he or she risked losing their job. Both brothers were protective of each other, and felt they were the
only ones who could criticize the other one.
D. WHO WAS ROY O. DISNEY?
Roy O. Disney was born in 1893, and his brother Walt in 1901. They had three other brothers, but
Roy and Walt (1901-1966)
were only close to each other and not to their other brothers, who didn’t
resemble them. Walt was named Walter Elias, his middle name derived from his father’s first name.
The Disney family had immigrated from Ireland to Canada and then to the U.S. The father of the
brothers as stated was Elias, and their mother of scottish descent, who may not have been the
biological mother, had the maiden name Flora Call. Roy died in 1971, shortly after the opening
ceremonies for Walt Disney World. He kept his promises to his brother to build Walt Disney World.
He reneged on his promises concerning the city of Epcot (which was derailed into becoming
EPCOT). Roy O. during the 1930’s lived in North Hollywood. Roy’s family
later located in Napa
Valley, CA, and was associated with the Illuminati kingpins in the area. Napa Valley has been
nicknamed the Valley of Kings. This "Valley of Kings" plays a major role in the dirty activities
revealed in this chapter. Roy 0. Disney played a bigger role at Disney Studios than people realize. For
example, it was Roy O. who made the decision to cut 45 min. out of Fantasia, so that Walt’s pet
project could be distributed to movie theaters. Roy O., considered by some insiders as the more evil
of the two brothers, kept the financial books for the Disney’s down through the years. It is known that
Disney kept two books during the 1950’s, so it is hard to believe anything except that Roy 0. was fully
aware of how Disney brought in their money. The big boys always kept the financial screws to Walt
and Roy. The big boys often figured out scams to take their money. When the Disney brothers had an
arrangement with Columbia Studio (run by Harry Cohn) they were advanced $7,500 for each cartoon
which cost them an unprofitable
$13,500 to make. Further, Cohn liked to cheat them by not sending
them their money, and taking a ridiculous amount of time to pay them what he owed them. The cash
flow problems of the Disney brothers also came from Walt’s desire to keep improving and upgrading
the technology they used. When Walt went to color over Roy’s objections, Disney’s profit margin was
damaged and the studio was left with shortages of cash. In 1937, Walt’s repeated gambles with cartoon
production
ideas caused Roy O. to say, "We’ve bought the whole damned sweepstakes."
From 1940
through 1946, Disney lost money every year. In '46, he lost $23,000. Finally
in 1947, things turned
around and the Disney studio made a profit of $265,000.
Cartoons and movies were not really big
moneymakers
for the Disney brothers, until it was realized that old films could be replayed on
television. Overall, from the 20’s through the 50’s, the Disneys may have broke even with animation.
This is why Disney Studios at Christmas, 1931 was unable to pay its payroll. Pinocchio cost $2.6
million to make in the late ’30’s, an amount hard to retrieve at that time from the box office, and
Fantasia’s original release in the ’40’s was a dismal financial failure. When Sleeping Beauty was
released in 1960, it was a loser, movie goers were apathetic towards it. The real money made by the
Disney brothers in the 1930-1950’s came from the merchandising
of Disney products, the production
of underground
hard porn, and the kickbacks from various groups which used Disney for mind-
