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15
owed them a debt that they held over him. In secret, Walt became a porn king. A victim remembers
that he was sadistic and enjoyed snuff porn films. His interest in children was far from altruistic.
The Hapsburgs of the 13th Illuminati bloodline had a sex salon in Vienna, where a porn photographer
named Felix Salten worked. Felix Salten wrote a book Bambi, which was then translated into English
by the infamous communist Whittaker Chambers. The elite were just beginning to form the roots for
today’s environmental
movement. The book appealed to Disney, because Disney liked animals better
than people. In the book, tame animals view humans as gods, while the wild and free animals see
humans as demons who they simply called "Him." The book begins with both free and tame animal
viewing humans as rightly having dominion over them. In the end, the animals view all humans as
simply being on the same level as animals, a vicious animal only fit to be killed.
Disney instructed his animators to make the animals "to be human. I want people to forget they are
watching animals." Bambi was to receive a Christ-like manger birth, with the animals hailing him as a
"prince." Due to his sexual problems, Walt at one point permitted himself to be subjected to the
packing of his genitals in ice for hours at a time. (Elliot,
Walt Disney Hollywood’s Dark Prince,
p.
83.) Children were instructed to call Walt "Uncle Walt." An example of this were the Mouseketeers.
For those who know how mind-control
programmers
have traditionally
liked to be called "uncle" by
their child victims, the insistence by Walt to be known as "uncle" is distasteful. From what this author
has learned from some sources about Walt’s non-public life as a hidden sadistic porn king, it raises
questions about other parts of his life. For instance, Kenneth Anger in his book
Hollywood Babylon
II, p. 192, "Some animators stated that the boss [Walt Disney] seemed to have fallen in love with the
boy. There may be some truth in this..." The boy, who Walt fell in love with, was a small young
attractive boy actor named Bobby Driscoll who signed up in 1946 with Disney. He acted in Song of
the South, Treasure Island and Bobby’s voice was used in Peter Pan. Bobby Driscoll was very
intelligent and attractive. Did Disney help or abuse him? If Disney was such an upbuilding
wholesome atmosphere, & this child actor had everything going for him, why did Bobby become a
methamphetamine
addict at 17 & die within just a few years? Why didn’t his talent & early career
lead to something positive
in his life?
From those who knew Walt personally one learns that he had an obsession with the buttock part of
anatomy. He enjoyed jokes about this part of the anatomy, which he told to his staff quite frequently.
The staff edited out many of his crude posterior jokes from cartoon scripts. Two examples that got by
the editors are a Christmas special where a little boy is unable to button the drop seat of his pajamas.
The little boy’s problem in maintaining
his modesty is the running gag of the cartoon. In the end,
Santa gives him a champer pot. The 2nd example is the paddling machine used on the wolf in The
Three Little Pigs. Numerous Disney cartoons feature buttocks of characters provocatively
twitching.
AS A WITNESS BEFORE CONGRESS
After W.W. II, Walt Disney was called upon by Hollywood to testify in their defense at the Un-
American hearings which were being carried out by congressmen who were concerned about the
heavy communist
influence within Hollywood.
Walt downplayed any communist
influence in
Hollywood to
Congress. Interestingly,
Walt’s father was an outspoken Socialist Party leader in the United States
who advocated a socialist New World Order. He regularly voted for socialist presidential candidate
Eugene Debs. One of the first drawings Walt did as a boy was to duplicate the socialist political
cartoons he found in a socialist periodical
Appeal to Reason
that his father subscribed to. When Walt
asked in the 1930’s how his father felt about socialism’s successes, his father Elias said, "Today,
everything I fought for in those early days has been absorbed into the platforms of both the major
parties. Now I feel pretty good about that." (Thomas, Bob. Walt Disney, An American Original, pg.
147-148) Walt’s movie Alice’s Egg Plant (1925) was pure communist doctrine where the red hen
(communist)
leads the working chickens on a strike against Julius the farm manager (representing
